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13:52 Jun 13, 2002 |
German to English translations [PRO] Music / Music | |||||||
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| Selected response from: Chris Rowson (X) Local time: 15:24 | ||||||
Grading comment
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Summary of answers provided | ||||
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4 +2 | Twelfth of a tone difference |
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Discussion entries: 1 | |
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Twelfth of a tone difference Explanation: For a first shot. I really would like to know if the question marks are in the original. This is talking about some pretty advanced, non-conventional sound technique, and if they are there, then it is question also of non-conventional language technique, which needs to be reflected. However, ignoring the question marks, it seems to be like this. The horns and trombones play the third C# - E at the same time [I think he means one horn plays C# and one plays E, while also one trombone plays C# and another plays E, though it´s not completely clear]. BUT one pair of instruments is playing them out of the A overtone series and the other out of the F# series. (I hope you understand how brass instruments of this type produce their notes out of the harmonic series, otherwise you are going to have trouble with this text.) The result of this is that the two C#s, one from a horn and one from a trombone, are slightly different from each other, and thus beat against each other, and similarly the two Es are slightly different. The 1/6th and 1/12th are the amount by which the two pairs of notes differ from each other. It hink it is the the two C#s which are 1/6th of a tone different from each other, while the two Es are 1/12th of a tone different from each other, but it might be the other way round, I´m not a breass player myself. A tone is a defined ratio. I don´t know the mathematical formula, it is the tonal distance between for example C and D, when they are tuned in equal temperament, which makes all of these one-tone differences (C-D, D-E, E-F#, etc.) identical ratios. The 1/6th and 1/12th are these fractions of this ratio. What the composer is doing is playing modernistic/mediaeval games with having these instruments play in non-equal temperament, which they tend to do anyway, due to their nature, though usually modern players do their best to even this out to equal temperament. Here they are required to play in the pure intonation which is more natural for these instruments. Hope this helps :-) |
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